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Jean Honore Fragonard The Meeting oil painting reproduction

Jean Honore Fragonard
Möten
The Meeting
Måleriet Identifieringen :: 1259

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1771-73 Friktionen Insamling , New York
1771-73 Frick Collection, New York

Andrea Mantegna The Meeting oil painting reproduction

Andrea Mantegna
Möten
The Meeting
Måleriet Identifieringen :: 2716

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1474 Palats Ducale. mantel Italien
1474 Palazzo Ducale, Mantua, Italy

Jean-Honore Fragonard
Möten
The Meeting
Måleriet Identifieringen :: 10311

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771-73. Friktionen Insamling NY
771-73, Frick Collection NY

Jean-Honore Fragonard
Den Möten
The Meeting
Måleriet Identifieringen :: 31803

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mk76 Malt i 1771-73 Olja på segelduk
mk76 Painted in 1771-73 Oil on canvas

Charles conder The Meeting oil painting reproduction

Charles conder
Den Möten
The Meeting
Måleriet Identifieringen :: 42159

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mk167 c.1895 Vattenfärgen på silke
mk167 c.1895 Watercolo on silk

Gustave Courbet The Meeting oil painting reproduction

Gustave Courbet
The Meeting
Måleriet Identifieringen :: 55243

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mk240 1854 Oil on canvas 129x149cm

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 87995

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between 1465(1465) and 1474 cyf

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 87996

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between 1465(1465) and 1474 cyf

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 87997

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between 1465(1465) and 1474 cyf

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 87998

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Date between 1465(1465) and 1474 cyf

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 87999

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Date between 1465(1465) and 1474 cyf

Andrea Mantegna
The Meeting
Måleriet Identifieringen :: 88000

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Date between 1465(1465) and 1474 cyf

Marie Bashkirtseff The Meeting oil painting reproduction

Marie Bashkirtseff
The Meeting
Måleriet Identifieringen :: 94888

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1884 cjr

Marie Bashkirtseff
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor. Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II. From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891. The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
The Meeting
1884 cjr

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